{"product_id":"the-beatles-the-rarities-collection-1-2-original-analog-masters-cd-4-discs-set","title":"THE BEATLES \/ THE RARITIES COLLECTION I \u0026 II : FROM THE ORIGINAL ANALOG MASTERS (2CD+2CD))","description":"\u003cp\u003eTHE RARITIES COLLECTION I  \u003cbr\u003e[2CD] DIGITAL ARCHIVES PROMOTION  DAPB042CD1\/2  \u003cbr\u003e  \u003cbr\u003eCD1 - STEREO MASTERS  \u003cbr\u003e1. LOVE ME DO  \u003cbr\u003e- duophonic stereo (US: INTRODUCING BEATLES 1963)  \u003cbr\u003e2. P.S. I LOVE YOU  \u003cbr\u003e- duophonic stereo (US: INTRODUCING BEATLES 1963)  \u003cbr\u003e3. TWIST AND SHOUT  \u003cbr\u003e- stereo remix (US: SINGLE 1986)  \u003cbr\u003eThe movie \"Ferris Bueller's Day Off\" soundtrack   \u003cbr\u003e4. FROM ME TO YOU  \u003cbr\u003e- reversed stereo remix (US: RED ALBUM 1973)  \u003cbr\u003e5. THANK YOU GIRL  \u003cbr\u003e- duophonic stereo (US: SECOND ALBUM 1964)   \u003cbr\u003ereverbed and extra harmonica  \u003cbr\u003e6. SHE LOVES YOU  \u003cbr\u003e- duophonic stereo (US: SECOND ALBUM 1964)   \u003cbr\u003e7. I'LL GET YOU  \u003cbr\u003e- duophonic stereo (US: SECOND ALBUM 1964)   \u003cbr\u003e8. I WANT TO HOLD YOUR HAND  \u003cbr\u003e- alternate stereo mix (Germany: GREATEST 1965)  \u003cbr\u003esimilar but the handclap and particularly the lead guitar are mix differences  \u003cbr\u003e9. THIS BOY  \u003cbr\u003e- duophonic stereo (US: MEET THE BEATLES 1964)   \u003cbr\u003e10. ALL MY LOVING  \u003cbr\u003e- unedited stereo (Germany: GREATEST 1965) hi-hat opening  \u003cbr\u003e11. DON'T BOTHER ME  \u003cbr\u003e- edited stereo (Canada: MEET THE BEATLES 1978)   \u003cbr\u003evocal error by George at almost the end of the song  \u003cbr\u003e12. I CALL YOUR NAME  \u003cbr\u003e- reverbed stereo (US: SECOND ALBUM 1964)  \u003cbr\u003eearlier stereo mix has no cowbell until the edit which comes just before the vocal starts  \u003cbr\u003e13. LONG TALL SALLY  \u003cbr\u003e- reverbed stereo (US: SECOND ALBUM 1964)  vocal over to the right side  \u003cbr\u003e14. YOU CAN'T DO THAT  \u003cbr\u003e- duophonic stereo (US: SECOND ALBUM 1964) reverbed US mono mix  \u003cbr\u003e15. KOMM GIB MIR DEINE HAND (German)  \u003cbr\u003e- stereo (US: SOMETHING NEW 1964)  \u003cbr\u003etalk (\"komm…\"?) and at the start of the song  \u003cbr\u003e16. CAN'T BUY ME LOVE  \u003cbr\u003e- duophonic stereo (US: A HARD DAY'S NIGHT 1964) bouncing vocal track  \u003cbr\u003e17. I SHOULD HAVE KNOWN BETTER  \u003cbr\u003e- stereo remix (US: REEL MUSIC 1982)  \u003cbr\u003eharmonica during the intro repeats the second phrase  \u003cbr\u003e18. AND I LOVE HER   \u003cbr\u003e- long edited stereo (Germany: GREATEST 1965) six guitar riffs at the end   \u003cbr\u003e19. SHE'S A WOMAN  \u003cbr\u003e- unedited stereo (UK: RARITIES EP 1981) with a count-in  \u003cbr\u003e20. I FEEL FINE   \u003cbr\u003e- unedited stereo (UK: RED ALBUM 1973)   \u003cbr\u003estarts with the sound of a tape switching on and whispering  \u003cbr\u003e21. YES IT IS  \u003cbr\u003e- duophonic stereo (US: LOVE SONGS 1977) rebalanced remix  \u003cbr\u003e22. TICKET TO RIDE  \u003cbr\u003e- edited stereo (Holland: OLDIES 1966) without intro  \u003cbr\u003e23. HELP!  \u003cbr\u003e- long edited stereo (US: HELP! 1965) with james bond theme intro  \u003cbr\u003e24. YOU'VE GOT TO HIDE YOUR LOVE AWAY  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced remix  \u003cbr\u003e25. YESTERDAY  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced remix  \u003cbr\u003e26. WE CAN WORK IT OUT  \u003cbr\u003e- alternate stereo mix (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003ethe harmonium is moved around during the verses  \u003cbr\u003e27. DAY TRIPPER  \u003cbr\u003e- alternate stereo mix (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003eThe lead guitar intro in starts left  \u003cbr\u003e28. NORWEGIAN WOOD (THIS BIRD HAS FLOWN)  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e29. THE WORD  \u003cbr\u003e- alternate stereo mix (US: RUBBER SOUL 1965)   \u003cbr\u003emixed left with the instruments the vocal is mixed right  \u003cbr\u003e30. MICHELLE  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e31. GIRL  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e32. I'M LOOKING THROUGH YOU  \u003cbr\u003e- unedited stereo mix (US: RUBBER SOUL 1965) with false start  \u003cbr\u003e33. IN MY LIFE  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e  \u003cbr\u003eCD2 - STEREO MASTERS  \u003cbr\u003e1. PAPERBACK WRITER  \u003cbr\u003e- alternate stereo mix (US: HEY JUDE 1970)   \u003cbr\u003ereversed stereo with the backing vocals a little louder  \u003cbr\u003e2. I'M ONLY SLEEPING  \u003cbr\u003e- alternate stereo mix (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e3. HERE THERE AND EVERYWHERE  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e4. DOCTOR ROBERT  \u003cbr\u003e- alternate stereo mix (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e5. FOR NO ONE  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e6. AND YOUR BIRD CAN SING  \u003cbr\u003e- alternate stereo mix (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e7. GOT TO GET YOU INTO MY LIFE  \u003cbr\u003e- stereo remix (US: ROCK AND ROLL MUSIC 1976) reversed stereo   \u003cbr\u003e8. PENNY LANE  \u003cbr\u003e- stereo remix (US: RARITIES 1980)   \u003cbr\u003eextra trumpet after \"clean machine\" and ending coda  \u003cbr\u003e9. STRAWBERRY FIELDS FOREVER  \u003cbr\u003e- alternate stereo mix (US: MAGICAL MYSTERY TOUR 1967)   \u003cbr\u003e10. I AM THE WARLUS  \u003cbr\u003e- stereo remix (US: RARITIES 1980)   \u003cbr\u003ecapitol edited to create a simulated complete stereo version  \u003cbr\u003e11. BABY YOU'RE A RICH MAN  \u003cbr\u003e- duophonic stereo (US: MAGICAL MYSTERY TOUR 1967)   \u003cbr\u003e12. ALL YOU NEED IS LOVE  \u003cbr\u003e- duophonic stereo (US: MAGICAL MYSTERY TOUR 1967)   \u003cbr\u003e13. HEY JUDE  \u003cbr\u003e- short edited stereo (US: 20 GREATEST HITS 1982)   \u003cbr\u003e14. REVOLUTION  \u003cbr\u003e- alternate stereo mix (US: HEY JUDE 1970) slightly wide stereo  \u003cbr\u003e15. DEAR PRUDENCE  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003eremoving the second verse and the middle section  \u003cbr\u003e16. GRASS ONION  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003etwo verses and a chorus edited out of the middle  \u003cbr\u003e17. DON'T PASS ME BY  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003eeliminates the verse beginning  \u003cbr\u003e18. WHY DON'T WE DO IT IN THE ROAD  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)  \u003cbr\u003eedit removes one of the runs-through  \u003cbr\u003e19. YER BLUES  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003emissing most of the middle of the song  \u003cbr\u003e20. HELTER SKELTER  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003emissing the fade-in at the end  \u003cbr\u003e21. REVOLUTION 9  \u003cbr\u003e- short edited stereo (US: WHITE ALBUM 1968 Ampex Reel Tape)   \u003cbr\u003eApproximately two minutes was edited out of the middle of the song  \u003cbr\u003e22. THE BALLAD OF JOHN AND YOKO  \u003cbr\u003e- stereo remix (US: HEY JUDE 1970) slightly different stereo  \u003cbr\u003e23. THE BEATLES' MOVIE MEDLEY  \u003cbr\u003e- edited stereo remix (UK: SINGLE 1982)   \u003cbr\u003e  \u003cbr\u003eAll tracks digitally remastered and compiled by DAP 2019  \u003cbr\u003e  \u003cbr\u003eTHE RARITIES COLLECTION II  \u003cbr\u003e[2CD] DIGITAL ARCHIVES PROMOTION  DAPB043CD1\/2  \u003cbr\u003e  \u003cbr\u003eCD1 - MONO MASTERS  \u003cbr\u003e1. LOVE ME DO  \u003cbr\u003e- original mono (UK: SINGLE 1962) early vinyl copy  \u003cbr\u003e2. P.S. I LOVE YOU  \u003cbr\u003e- original mono (UK: SINGLE 1962) early vinyl copy  \u003cbr\u003e3. PLEASE PLEASE ME  \u003cbr\u003e- original mono (UK: SINGLE 1963) single dry mix  \u003cbr\u003e4. ASK ME WHY  \u003cbr\u003e- original mono (UK: SINGLE 1963) single dry mix  \u003cbr\u003e5. FROM ME TO YOU  \u003cbr\u003e- original mono (US: SINGLE 1964) vee-jay label  \u003cbr\u003e6. THANK YOU GIRL  \u003cbr\u003e- original mono (US: SINGLE 1964) vee-jay label  \u003cbr\u003e7. SHE LOVES YOU  \u003cbr\u003e- original mono (US: SINGLE 1963) swan label  \u003cbr\u003e8. I'LL GET YOU  \u003cbr\u003e- original mono (US: SINGLE 1963) swan label  \u003cbr\u003e9. LONG TALL SALLY  \u003cbr\u003e- US mono (US: SECOND ALBUM 1964) no reverb  \u003cbr\u003e10. I CALL YOUR NAME  \u003cbr\u003e- US mono (US: SECOND ALBUM 1964) different edit  \u003cbr\u003e11. YOU CAN'T DO THAT  \u003cbr\u003e- US mono (US: SECOND ALBUM 1964)  \u003cbr\u003e12. I'LL CRY INSTEAD  \u003cbr\u003e- US mono (US: SECOND ALBUM 1964)   \u003cbr\u003elong version with an additional verse  \u003cbr\u003e13. A HARD DAY'S NIGHT  \u003cbr\u003e- US mono (US: A HARD DAY'S NIGHT 1970 8-track ) extended ending  \u003cbr\u003e14. AND I LOVE HER  \u003cbr\u003e- US mono (US: A HARD DAY'S NIGHT 1964) single vocal  \u003cbr\u003e15. I'M HAPPY JUST TO DANCE WITH YOU  \u003cbr\u003e- US mono (US: SINGLE 1964)  \u003cbr\u003e16. ANYTIME AT ALL  \u003cbr\u003e- US mono (US: SOMETHING NEW 1964)   \u003cbr\u003ethe piano mixed way down compared to the others  \u003cbr\u003e17. WHEN I GET HOME  \u003cbr\u003e- US mono (US: SOMETHING NEW 1964)  \u003cbr\u003ethe piano mixed louder and the line \"till I walk out that door\" is double-tracked  \u003cbr\u003e18. I'LL BE BACK  \u003cbr\u003e- US mono (US: BEATLES '65 1964) reverbed  \u003cbr\u003e19. I FEEL FINE  \u003cbr\u003e- US mono (US: BEATLES '65 1964) deep echo  \u003cbr\u003e20. SHE'S A WOMAN  \u003cbr\u003e- US mono (US: BEATLES '65 1964) deep echo and less piano  \u003cbr\u003e21. HELP!  \u003cbr\u003e- US mono (US: HELP! 1965) with james bond theme intro  \u003cbr\u003e22. MICHELLE  \u003cbr\u003e- US mono (US: RUBBER SOUL 1965)   \u003cbr\u003elouder percussion and fades a little longer  \u003cbr\u003e23. I'M ONLY SLEEPING  \u003cbr\u003e- US mono (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e24. DOCTOR ROBERT  \u003cbr\u003e- US mono (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e25. YESTERDAY  \u003cbr\u003e- US mono (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e26. AND YOUR BIRD CAN SING  \u003cbr\u003e- US mono (US: YESTERDAY AND TODAY 1966)   \u003cbr\u003e27. TOMORROW NEVER KNOWS  \u003cbr\u003e- alternate mono mix (UK: REVOLVER 1966 matrix XEX 606-1)   \u003cbr\u003ethe vocal is louder and clearer over the effects the fade is slightly longer and has more piano and the effects are faded up quite differently  \u003cbr\u003e28. PENNY LANE  \u003cbr\u003e- alternate mono (US: SINGLE 1967 promo-only) extra trumpet ending  \u003cbr\u003e29. BABY YOU'RE A RICH MAN  \u003cbr\u003e- unedited mono (US: SINGLE 1981)  \u003cbr\u003ethe word spoken just before the song starts  \u003cbr\u003e30. I AM THE WARLUS  \u003cbr\u003e- alternate mono (US: MAGICAL MYSTERY TOUR 1967)   \u003cbr\u003ebegins with four beats and different edit  \u003cbr\u003e  \u003cbr\u003eCD2 - ADDITIONAL MASTERS (STEREO\u0026amp;MONO)  \u003cbr\u003e1. PLEASE PLEASE ME  \u003cbr\u003e- stereo remix (US: RED ALBUM 1973) rebalanced  \u003cbr\u003e2. FROM ME TO YOU  \u003cbr\u003e- stereo remix (UK: 20 GREATEST HITS 1982) slightly narrowed stereo  \u003cbr\u003e3. MISERY  \u003cbr\u003e- stereo remix (US: RARITIES 1980) relatively louder and reverbed  \u003cbr\u003e4. THERE'S A PLACE  \u003cbr\u003e- stereo remix (US: RARITIES 1980) relatively louder and reverbed  \u003cbr\u003e5. SHE LOVES YOU  \u003cbr\u003e- stereo remix (UK: 20 GREATEST HITS 1982) simulated stereo  \u003cbr\u003e6. DEVIL IN HER HEART  \u003cbr\u003e- wide stereo (Canada: BEATLEMANIA! 1978)   \u003cbr\u003e7. I WANT TO HOLD YOUR HAND  \u003cbr\u003e- alternate stereo (Australia: SINGLE 1977\u0026amp;20 GREATEST HITS 1982)   \u003cbr\u003ethe rhythm instruments far left and vocal far right like a twin track mix leaving the lead guitar isolated in the center \/ this mix released only for austraila  \u003cbr\u003e8. CAN'T BUY ME LOVE  \u003cbr\u003e- stereo remix (US: RED ALBUM 1973) rebalanced  \u003cbr\u003e9. I FEEL FINE  \u003cbr\u003e- mock stereo (Germany: BEATLES '65)   \u003cbr\u003eslightly different reverved than US mix \/ most longest ending version   \u003cbr\u003e10. SHE'S A WOMAN  \u003cbr\u003e- mock stereo (Germany: BEATLES '65)   \u003cbr\u003eslightly different reverved than US mix  \u003cbr\u003e11. EIGHT DAYS A WEEK  \u003cbr\u003e- stereo remix (US: RED ALBUM 1973) rebalanced  \u003cbr\u003e12. YESTERDAY  \u003cbr\u003e- stereo remix (UK: BEATLES BALLADS 1980) reversed  \u003cbr\u003e13. NOWHERE MAN  \u003cbr\u003e- stereo remix (UK: BEATLES BALLADS 1980) reversed narrow stereo  \u003cbr\u003e14. THINK FOR YOURSELF  \u003cbr\u003e- stereo remix (US: THE BEST OF GEORGE HARRISON 1976) deep echo  \u003cbr\u003e15. MICHELLE  \u003cbr\u003e- stereo remix (US: RED ALBUM 1973) rebalanced  \u003cbr\u003e16. PAPERBACK WRITER  \u003cbr\u003e- stereo remix (US: RED ALBUM 1973) rebalanced  \u003cbr\u003e17. GOT TO GET YOU INTO MY LIFE  \u003cbr\u003e- stereo remix (US: SINGLE 1976 promo-only)   \u003cbr\u003ebrass louder with reverbed and reversed  \u003cbr\u003e18. SHE'S LEAVING HOME  \u003cbr\u003e- stereo remix (UK: BEATLES BALLADS 1980) reversed stereo  \u003cbr\u003e19. ALL YOU NEED IS LOVE  \u003cbr\u003e- stereo remix (US: BLUE ALBUM 1973) rebalanced  \u003cbr\u003e20. I AM THE WARLUS  \u003cbr\u003e- stereo remix (US: BLUE ALBUM 1973) rebalanced  \u003cbr\u003e21. LADY MADONNA  \u003cbr\u003e- stereo remix (UK: 20 GREATEST HITS 1982) slightly narrowed stereo  \u003cbr\u003e22. HEY JUDE  \u003cbr\u003e- stereo remix (UK: BEATLES BALLADS 1980) rebalanced center remix  \u003cbr\u003e23. REVOLUTION  \u003cbr\u003e- stereo remix (US: BLUE ALBUM 1973) rebalanced  \u003cbr\u003e24. WHILE MY GUITAR GENTLY WEEPS  \u003cbr\u003e- stereo remix (US: BLUE ALBUM 1973) rebalanced  \u003cbr\u003e25. ACROSS THE UNIVERSE  \u003cbr\u003e- fake mono (Brazil: SINGLE 1970) lowered  pitch and less orchestra  \u003cbr\u003e26. LET IT BE  \u003cbr\u003e- fake mono (Japan: SINGLE 1970) from single version  \u003cbr\u003e27. THE LONG AND WINDING ROAD  \u003cbr\u003e- stereo remix (US: LOVE SONGS 1977) rebalanced center remix  \u003cbr\u003e  \u003cbr\u003eAll tracks digitally remastered and compiled by DAP   \u003c\/p\u003e\n\u003cp\u003eDAP Label presents a newly remastered and edited compilation of rare analog recordings, \"The Rarities Collection I \u0026amp; II,\" a compilation of numerous alternate mixes and edits from Beatles singles and compilation albums that existed around the world since the 1960s! The Beatles' official studio recordings were remastered in 2009 to a globally standard stereo and mono master, leaving many of the unique recordings from around the world only accessible on the original vinyl.\u003cbr\u003eThis collection features original recordings from the 1960s, unreleased tracks from numerous compilations released in the 1970s and 1980s, and hard-to-find rare mixes, all fully digitized from the original vinyl and tape masters, preserving the unique sonic quality of analog.\u003cbr\u003eThis definitive collector's edition, a must-have research resource for Beatles recording collectors, encompasses rare recordings from the vinyl era that cannot be heard on today's globally standardized recordings. \"The Rarities Collection I\" features 56 tracks in roughly chronological order across two CDs, including the \"Stereo Masters\"—the American-exclusive pseudo-stereo and remixed versions originally released by Capitol Records—as well as familiar tracks like the 1965 stereo mixes of \"All My Loving\" and \"I Want to Hold Your Hand,\" the long version of \"And I Love Her,\" and the trumpet ending of \"Penny Lane.\" These tracks also feature mixes with subtle variations in echo and separation.\u003c\/p\u003e\n\u003cp\u003e\"The Rarities Collection II\" features 30 carefully selected tracks, including the \"Mono Masters\" on CD1, including mixes unique to the original singles, the American-exclusive mono mix that resulted in numerous mix variations due to its release ahead of the UK release, the longest version of \"A Hard Day's Night\" previously only available on 8-track tape, and the elusive \"Tomorrow Never Knows\" (Matrix 1), previously only available on the UK first pressing of the album \"Revolver.\" CD2 contains previously unreleased stereo and mono recordings as \"Additional Masters.\" This set includes 27 tracks in total, including remixes from the '70s and '80s, a rare mix of \"I Want to Hold Your Hand\" released only in Australia, and a mono single released only in Brazil and Japan. Each track is a compilation of analog recordings from the original vinyl or tape sources.\u003c\/p\u003e","brand":"dap","offers":[{"title":"Default Title","offer_id":52347326759228,"sku":"1\/28 hideyama","price":84.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/5801\/7084\/files\/57_7f04aec8-4dcf-4894-b5ac-4150184a724d.jpg?v=1765804485","url":"https:\/\/worldmusiclover.com\/zh\/products\/the-beatles-the-rarities-collection-1-2-original-analog-masters-cd-4-discs-set","provider":"WORLD MUSIC LOVER","version":"1.0","type":"link"}