GARY MOORE / The Story Of The Hurricane Live in Japan Compilation 1983/1987 (4CDR)

Disc 1

1. Introduction
2. End Of The World
3. Wishing Well
4. Rockin' Every Night
5. Cold Hearted
6. Keyboard Solo
7. Nuclear Attack
8. I Can't Wait Until Tomorrow
9. Always Gonna Love You
10.Band Intro
11. Hurricane incl. Drum Solo

Disc 2

1. White Knuckles
2. Rockin' And Rollin'
3. Back On The Streets
4. Parisienne Walkways
5. Don't Take Me For A Loser

Gary Moore (G, Vo)
Neil Murray(B)
Don Airey (Key)
Ian Paice (Dr)
John Sloman (Vo, Key)

Recoreded Live at Koseinenkin Kaikan, Tokyo, Japan, January 25th, 1983

Disc 3

1.Opening S.E.
2.Over Hills And Far Away
3. Thunder Rising
4. Shapes of Things
5. Wild Frontier
6. Military Man
7. So Far Away
8. Empty Rooms
9. Acoustic Guitar Solo

Disc 4

1. Victims of the Future
2. Out in the Fields
3. Rockin' Every Night
4. All Messed Up
5. The Loner
6. Member Introductions

Gary Moore (Guitar, Vocals)
Bob Daisley (Bass)
Neil Carter (Keyboards, Guitar, Vocals)
Eric Singer (Drums)

Live at Nakano Sunplaza, Tokyo, Japan, July 14, 1987

Binge recordings of Gary Moore's Japan tours in 1983 and 1987.

Discs 1 & 2 feature the band's first live performance in Japan in 1983, featuring the first appearance of their live performance at Tokyo's Koseinenkin Hall on January 25th, recorded in high-quality audio using the original audience master, which has never been available to traders before.

Discs 3 & 4 also feature the live performance at Nakano Sunplaza on July 14th, from the Japan tour accompanying the release of "WILD FRONTIER" in 1987, recorded in high quality using the original master, which has also never been available to traders before.

From their popular first performance in Japan, where every show was sold out, this performance at Tokyo's Koseinenkin Hall has never been released before, and this is the first time it has been released. Not only is it valuable as a documentary, but the sound quality is also quite good for the time, with a clear separation between the sounds.

The Nakano Sun Plaza performance on July 14, 1987 has already been released as an immediate release, but this time it was recorded using a completely different master, and the bass part is slightly distorted, but the balance and separation are also of a high-class sound quality for a recording from this period.