THE BEATLES / THE RARITIES COLLECTION II FROM THE ORIGINAL ANALOG MASTERS (2CD)
THE BEATLES / THE RARITIES COLLECTION II FROM THE ORIGINAL ANALOG MASTERS (2CD)
THE RARITIES COLLECTION II
[2CD] DIGITAL ARCHIVES PROMOTION DAPB043CD1/2
CD1 - MONO MASTERS
1. LOVE ME DO
- original mono (UK: SINGLE 1962) early vinyl copy
2. P.S. I LOVE YOU
- original mono (UK: SINGLE 1962) early vinyl copy
3. PLEASE PLEASE ME
- original mono (UK: SINGLE 1963) single dry mix
4. ASK ME WHY
- original mono (UK: SINGLE 1963) single dry mix
5. FROM ME TO YOU
- original mono (US: SINGLE 1964) vee-jay label
6. THANK YOU GIRL
- original mono (US: SINGLE 1964) vee-jay label
7. SHE LOVES YOU
- original mono (US: SINGLE 1963) swan label
8. I'LL GET YOU
- original mono (US: SINGLE 1963) swan label
9. LONG TALL SALLY
- US mono (US: SECOND ALBUM 1964) no reverb
10. I CALL YOUR NAME
- US mono (US: SECOND ALBUM 1964) different edit
11. YOU CAN'T DO THAT
- US mono (US: SECOND ALBUM 1964)
12. I'LL CRY INSTEAD
- US mono (US: SECOND ALBUM 1964)
long version with an additional verse
13. A HARD DAY'S NIGHT
- US mono (US: A HARD DAY'S NIGHT 1970 8-track ) extended ending
14. AND I LOVE HER
- US mono (US: A HARD DAY'S NIGHT 1964) single vocal
15. I'M HAPPY JUST TO DANCE WITH YOU
- US mono (US: SINGLE 1964)
16. ANYTIME AT ALL
- US mono (US: SOMETHING NEW 1964)
the piano mixed way down compared to the others
17. WHEN I GET HOME
- US mono (US: SOMETHING NEW 1964)
the piano mixed louder and the line "till I walk out that door" is double-tracked
18. I'LL BE BACK
- US mono (US: BEATLES '65 1964) reverbed
19. I FEEL FINE
- US mono (US: BEATLES '65 1964) deep echo
20. SHE'S A WOMAN
- US mono (US: BEATLES '65 1964) deep echo and less piano
21. HELP!
- US mono (US: HELP! 1965) with james bond theme intro
22. MICHELLE
- US mono (US: RUBBER SOUL 1965)
louder percussion and fades a little longer
23. I'M ONLY SLEEPING
- US mono (US: YESTERDAY AND TODAY 1966)
24. DOCTOR ROBERT
- US mono (US: YESTERDAY AND TODAY 1966)
25. YESTERDAY
- US mono (US: YESTERDAY AND TODAY 1966)
26. AND YOUR BIRD CAN SING
- US mono (US: YESTERDAY AND TODAY 1966)
27. TOMORROW NEVER KNOWS
- alternate mono mix (UK: REVOLVER 1966 matrix XEX 606-1)
the vocal is louder and clearer over the effects the fade is slightly longer and has more piano and the effects are faded up quite differently
28. PENNY LANE
- alternate mono (US: SINGLE 1967 promo-only) extra trumpet ending
29. BABY YOU'RE A RICH MAN
- unedited mono (US: SINGLE 1981)
the word spoken just before the song starts
30. I AM THE WARLUS
- alternate mono (US: MAGICAL MYSTERY TOUR 1967)
begins with four beats and different edit
CD2 - ADDITIONAL MASTERS (STEREO&MONO)
1. PLEASE PLEASE ME
- stereo remix (US: RED ALBUM 1973) rebalanced
2. FROM ME TO YOU
- stereo remix (UK: 20 GREATEST HITS 1982) slightly narrowed stereo
3. MISERY
- stereo remix (US: RARITIES 1980) relatively louder and reverbed
4. THERE'S A PLACE
- stereo remix (US: RARITIES 1980) relatively louder and reverbed
5. SHE LOVES YOU
- stereo remix (UK: 20 GREATEST HITS 1982) simulated stereo
6. DEVIL IN HER HEART
- wide stereo (Canada: BEATLEMANIA! 1978)
7. I WANT TO HOLD YOUR HAND
- alternate stereo (Australia: SINGLE 1977&20 GREATEST HITS 1982)
the rhythm instruments far left and vocal far right like a twin track mix leaving the lead guitar isolated in the center / this mix released only for austraila
8. CAN'T BUY ME LOVE
- stereo remix (US: RED ALBUM 1973) rebalanced
9. I FEEL FINE
- mock stereo (Germany: BEATLES '65)
slightly different reverved than US mix / most longest ending version
10. SHE'S A WOMAN
- mock stereo (Germany: BEATLES '65)
slightly different reverved than US mix
11. EIGHT DAYS A WEEK
- stereo remix (US: RED ALBUM 1973) rebalanced
12. YESTERDAY
- stereo remix (UK: BEATLES BALLADS 1980) reversed
13. NOWHERE MAN
- stereo remix (UK: BEATLES BALLADS 1980) reversed narrow stereo
14. THINK FOR YOURSELF
- stereo remix (US: THE BEST OF GEORGE HARRISON 1976) deep echo
15. MICHELLE
- stereo remix (US: RED ALBUM 1973) rebalanced
16. PAPERBACK WRITER
- stereo remix (US: RED ALBUM 1973) rebalanced
17. GOT TO GET YOU INTO MY LIFE
- stereo remix (US: SINGLE 1976 promo-only)
brass louder with reverbed and reversed
18. SHE'S LEAVING HOME
- stereo remix (UK: BEATLES BALLADS 1980) reversed stereo
19. ALL YOU NEED IS LOVE
- stereo remix (US: BLUE ALBUM 1973) rebalanced
20. I AM THE WARLUS
- stereo remix (US: BLUE ALBUM 1973) rebalanced
2
1. LADY MADONNA
- stereo remix (UK: 20 GREATEST HITS 1982) slightly narrowed stereo
22. HEY JUDE
- stereo remix (UK: BEATLES BALLADS 1980) rebalanced center remix
23. REVOLUTION
- stereo remix (US: BLUE ALBUM 1973) rebalanced
24. WHILE MY GUITAR GENTLY WEEPS
- stereo remix (US: BLUE ALBUM 1973) rebalanced
25. ACROSS THE UNIVERSE
- fake mono (Brazil: SINGLE 1970) lowered pitch and less orchestra
26. LET IT BE
- fake mono (Japan: SINGLE 1970) from single version
27. THE LONG AND WINDING ROAD
- stereo remix (US: LOVE SONGS 1977) rebalanced center remix
All tracks digitally remastered and compiled by DAP
DAP Label presents "The Rarities Collection I & II," a newly remastered compilation of rare analog recordings that brings together numerous alternate mixes and edits from Beatles singles and compilation albums that existed around the world since the 1960s!
The Beatles' official studio recordings were remastered in 2009 to a globally standard stereo and mono master, leaving many of the unique recordings from around the world only available on the original vinyl records.
This collection features original recordings from the 1960s, as well as unreleased CDs and hard-to-find rare mixes from numerous compilation albums released in the 1970s and 1980s. Each recording has been fully digitized with a newly remastered sound, preserving the unique sonic quality of analog from the original vinyl and tape masters.
This definitive collector's edition is a must-have research resource for Beatles recording collectors, covering rare recordings from the vinyl era that cannot be heard on today's globally standardized recordings. [Collector's Point]
"The Rarities Collection I" features 56 tracks across two CDs, arranged in roughly chronological order, including the "Stereo Masters" (a pseudo-stereo version unique to the US released by US Capitol), remixes of "All My Loving" (with its hi-hat opening), the 1965 stereo mix of "I Want to Hold Your Hand," the extended version of "And I Love Her," and the trumpet ending of "Penny Lane." Also included are mixes with subtle variations in echo and separation.
"The Rarities Collection II" features 30 carefully selected tracks, including mixes unique to the original singles, the American mono mix that resulted from numerous mix variations due to its early release in the UK, the longest version of "A Hard Day's Night" previously only available on 8-track tape, and the elusive "Tomorrow Never Knows," previously only available on the UK first pressing of the album "Revolver."
CD2, the "Additional Masters," features previously unreleased stereo and mono recordings. It includes 27 tracks in total, including remixes from the '70s and '80s, a rare mix of "Dakishimetai" (I Want to Hold You), released only in Australia, and a mono single released only in Brazil and Japan. Each track is a compilation of analog recordings from the original vinyl or tape sources.
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