Uli Jon Roth / Antares Over Tokyo Live in Japan 2015 (2CDR)
Uli Jon Roth / Antares Over Tokyo Live in Japan 2015 (2CDR)
◆"SCORPIONS 40th Anniversary Tour" Nakano Sun Plaza, Tokyo, Japan 20th February 2015 [IEM Source + EX-Audience Source = Matrix Recording]
(Disc 1)
01.opening
02. All Night Long
03. Longing for Fire
04. Crying Days
05. The Sails of Charon
06. Sun in My Hand
07. Virgin Killer
08. Kojo No Tsuki
09. We'll Burn the Sky
10. In Trance
11.Rainbow Dream prelude
12. Fly to the Rainbow
(Disc 2)
01. Top of the Bill
02. Top of the Bill part2
03. I've Got to Be Free
04. Polar Nights
05.Dark Lady
06.Pictured Life
07.Catch Your Train
08. All Along the Watchtower
09. Little Wing
10. Closing
◇Personnel;
ULI JON ROTH (G)
NATHAN JAMES (Vo)
ULE RITGEN (B)
NIKLAS TURMANN (G)
JAMIE LITTLE (Ds)
CORVIN BAHN (Kb)
DAVID KLOSINSKI (G)
Brought to you by the Alexander label, the second installment of Uli Jon Roth's 2015 Japan tour! This is a complete recording of the moving live performance held at Nakano Sunplaza on February 20th! Nakano Sunplaza has been a staple venue for Tokyo performances since the Scorpions days. This was the only hall performance of the three shows on this tour, and as expected, the venue is renowned for its excellent acoustics, so this release delivers excellent sound quality. Since the Nagoya performance the previous day, the equipment has been changed to be more suitable for recording live in a hall, resulting in a slightly different finish from the Nagoya performance. The tone of Uri's sky guitar in particular is recorded more beautifully than at any of the three performances in Japan this time. As with the Nagoya performance, mixing in vocal IEMs corrected any vocal gaps, resulting in what could be described as the finest sound quality! This was also the day the official video was recorded, and the band's performance was particularly spirited. At the end of "Fly to the Rainbow," Uri put too much effort into his arm-twisting, breaking a string, and requiring time for the subsequent guitar change. While the setlist remained the same as the Nagoya performance the previous day, the recording time was significantly longer.
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