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Jimi Hendrix / Fillmore Rehearsals 1969 the Band of Gypsys Dress Rehearsals (2CDR)

Jimi Hendrix / Fillmore Rehearsals 1969 the Band of Gypsys Dress Rehearsals (2CDR)

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CD01:
01 Message to Love (take01)
02 Message to Love (take02)
03 Message to Love (take03)
04 Message to Love (take04) [mono]
05 Message to Love (take05)
06 Ezy Rider (take01)
07 Ezy Rider (take02)
08 Ezy Rider (take03)
09 Message to Love (take06)
10 Message to Love (take07)
11 Who Knows (take01)
12 Who Knows (take02)
13 Who Knows (take03)
14 Message to Love (take08)
15 Message to Love (take09)
16 Message to Love (take10)

CD02:
01 Ezy Rider (take04)
02 Power Of Soul
03 Earth Blues
04 Changes (take01) 05 Changes (take02)
06 Lover Man (take01)
07 Lover Man (take02)
-(Jimi & Billy Soundchecks 1970 NY)-
08 Lil' Dog of Mine
09-10 Chatter
11-12 Heaven Has No Tomorrow
13-25 Valleys of Neptune
26-27 Listening to Playback of Tape
28-29 Heaven Has No Tomorrow
30-31 Valleys of Neptune

This contains recordings of session-style rehearsals for Jimi Hendrix's Band of Gypsis' December 1969 debut live performance, specifically for Fillmore. After the breakup of The Experience, Jimi Hendrix formed a new sound project, Band of Gypsy, with Billy Buddy, but it disbanded after only a month, and a new project, The New Experience, began. The session rehearsal recorded on this item, which could also be called a dress rehearsal, is a very interesting recording of all the members in detail, recording sound checks and improvisations, as it was the band's new debut. It is a rehearsal recording that is full of Jimi Hendrix's shouts and improvisations that would never be possible on stage, and you will find yourself listening intently. The bonus track is a soundcheck of Jimi Hendrix and Billy Cox that took place in NY during the 1970 New Experience tour. It is a rare soundcheck during a tour that only includes bass and guitar and does not include drummer Mitch, so it is likely that this is a studio session where Billy accompanied Jimi during his sound check. The sound quality is superb, with a surprisingly direct feel thanks to the use of line sources. While there are some slight imbalances in the recording due to it being a soundcheck, it's not at a level that's bothersome, and it effectively conveys the tension of the Fillmore performance.

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