LINDA RONSTADT / LEGENDARY MIKE MILLARD TAPE LIVE AT UNIVERSAL AMPHITHEATRE 1990 (2CDR)
LINDA RONSTADT / LEGENDARY MIKE MILLARD TAPE LIVE AT UNIVERSAL AMPHITHEATRE 1990 (2CDR)
DISC 1
1.Tuning
2. IT'S SO EASY
3.WHEN WILL I BE LOVED
4. BLUE BAYOU
5. TUMBLING DICE
6. OOO BABY BABY
7. JUST ONE LOOK
8. HURTS SO BAD
9. I CAN'T LET GO
10. STILL WITHIN THE SOUND OF MY VOICE
11. THE MOON IS A HARSH MISTRESS
12. SHATTERED
13. I KEEP IT HID
14. ADIOS
DISC 2
1. Intro to Aaron Neville
2. DON'T KNOW MUCH *
3. I NEED YOU *
4. ALL MY LIFE *
5. TROUBLE AGAIN
6. GOODBYE MY FRIEND - Band Intro
7. CRY LIKE A RAINSTORM
8. YOU'RE NO GOOD
9. BACK IN THE U.S.A.
10. POOR POOR PITIFUL ME
11. HEATWAVE
12. WHEN SOMETHING IS WRONG WITH MY BABY * **
In recent years, the "Mike Millard Tapes" have been increasingly digitized from direct masters or low-generation tapes. These tapes were recorded by Mike Millard, a taper familiar to fans for his exceptional audience recording skills. The same label has released several recordings using these newly digitized Mike Millard Tapes as masters, but you may have noticed that there are two types: "Brushed Mike Millard Tapes" and "Legendary Mike Millard Tapes." Not all Mike Millard Tapes have perfect sound quality; some have considerable room for improvement, and the "Brushed" series features significantly improved versions. The "Legendary" series features recordings that are already nearly perfect, with little room for improvement in sound quality, and only minimal editing such as light cuts between tracks.
This time, from the "Legendary" series, we have a live recording from 1990 by the talented singer Linda Ronstadt. Many fans will know that 1990 was the year she broke new ground, received critical acclaim, and won a Grammy Award. Her collaborative album with Aaron Neville, "Don't Know Much," was a hit, and she was at the peak of her career as a singer. This live performance features Aaron Neville, and includes performances of her hit songs. Rosemary Butler also participates, providing wonderful backing vocals, just like on the album. The Tower of Power horn section even joins in at the end—a truly extravagant treat! While the audience cheers are a little close, the recording is remarkably well done.
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