Prince / Rotterdam 2011 Special Set (Total 6CDR+2DVDR)

Melkweg Night 1 We Live(2 Get Funky)(2CDR)
Love Or $ #02

Disc 1
1.Calhoun Square 2.People Pleaser 3.Dreamer 4.Welcome 2 Amsterdam (incl. One Nation Under A Groove - We Live 2 Get Funky) 5.I Like It There 6.Villanova Junction 7.Crimson & Clover

Disc 2
1.Little Red Corvette 2.Love Is A Losing Game 3.Nothing Compares 2 U 4.Thank You (Falettinme Be Mice Elf Agin) 5.Only Heaven Knows 6. Flashlight
Bonus
7. Flashlight (Soundboard)

Melkweg, Amsterdam, 25th July 2011 (am)

Melkweg 2Night What's My Name(2CDR)
Love Or $ #01

Disc 1
1.What's My Name 2.The Ballad Of Dorothy Parker 3.Beautiful Strange 4.Guitar 5.Kiss 6.Chocolate 7.Mutiny 8.When Were Dancing Close and Slow

Disc 2
1.I Like It There 2.Bambi 3.Colonized Mind (incl. Independence) 4.Outstanding 5.Flashlight (incl. What's My Name reprise) 6.Strange Relationship (incl. America) 7.If I Was Your Girlfriend 8.Controversy 9.Sexy Dancer - Le Freak (incl. I Know You Got Soul) 10. Play That Funky Music

Melkweg, Amsterdam,26th July 2011 (am)

Special 1DVDR

Melkweg Night 1
29min
Calhoun Square - People Pleaser - We Live 2 Get Funky - I Like It There - Little Red Corvette - Love Is A Losing Game - Nothing Compares 2 U - Thank You (Falettinme Be Mice Elf Agin) - Flash Light

Melkweg Night 2
61min.
What's My Name - The Ballad Of Dorothy Parker - Beautiful Strange - Guitar - Kiss - Chocolate - Mutiny - When We're Dancing Close And Slow - I Like It There - Bambi - Colonized Mind - Flash Light - Strange Relationship - If I Was Your Girlfriend - Controversy - Sexy Dancer Vs Le Freak (incl. I Know You Got Soul) - Play That Funky Music

NL 6/6(2CDR)

Disc 1
Gold - Purple Rain - Let's Go Crazy - Delirious - Let's Go Crazy(Reprise) - Little Red Corvette - Take Me With U - Raspberry Beret - Cream - Don't Stop 'til You Get Enough - Cool - Make You Feel My Love
Disc 2
Let's Work - Sexy Dancer(instrumental inc. It's Gonna Be A Beautiful Night) - Chocolate - U Got The Look - Kiss - If I Was Your Girlfriend - The Bird - Jungle Love - Eye Like Funky Music

Ahoy, Rotterdam, July 26, 2011

Special DVDR 63min.

Gold - Purple Rain - Let's Go Crazy - Delirious - Let's Go Crazy(Reprise) - Little Red Corvette - Take Me With U - Raspberry Beret - Cream - Don't Stop 'til You Get Enough - Cool - Make You Feel My Love - Kiss - If I Was Your Girlfriend - The Bird - Jungle Love

Two one-off gigs that truly showcase Prince's charm! As expected, the Netherlands is a truly incredible venue for performances! In fact, the Oslo concert was postponed, so this was hastily arranged to utilize the gap. However, it's precisely at times like these that rare performances are bound to occur. First up is the opening night, July 24, 2011. This is a superb audience recording with superb sound quality and a stamp of approval! Opening with Calhourn Square, Prince begins with a low scatting, backed by a mysterious keyboard sound. An unreleased song? It's more like a chant than a song. He then begins playing guitar, and the song begins slowly. He also includes a comment to Candy Dulfer's mother and manager, who were in attendance. The finale ends with a lingering guitar melody, a total of just under 16 minutes of unconventional playing! The following track, "People Pleaser," features a similar backing to Calhourn Square, with Prince adding an obbligato, creating his funkiest arrangement to date. This song remains a mystery, likely written by Andy, but listening to this live performance makes it clear that Prince's arrangement gave it a funky feel. The song then develops even more rock-infused. After about two minutes of Dreamer, Prince, while still singing, launches into a shocking pattern of "One Nation Under A Groove" while continuing the backing track and MCing. Shelby adds a faint chorus, but Prince also adds some rooster-like shouts of "ooh" and "ooh," making it funky. Then, instead of "Welcome 2 America," he and Shelby sing "Welcome 2 Amsterdam," incorporating a freaky guitar solo for a truly captivating performance. Then, he sings "We Live 2 Get Funky," getting the audience to sing along with the chorus. After an MC explaining that funky music can't be saved, John plays a drum solo, even though the backing track is Dreamer, following Prince's lyric in "We Live 2 Get Funky." Ida and the others also take solos. As the song progresses, the backing for "We Live 2 Get Funky" takes over, and by the time Prince instructs Shelby to rap, it's completely "We Live 2 Get Funky." This professional mashup, only Prince and NPG could pull off, is a 15-minute-plus best jam—a sound you only get to hear at an after-show! Then, after a solid vocal performance of "I Like It There," he launches into plenty of freaky guitar and scat, also perfect for an after-show! The audience starts to keep time, the guitars begin to play quietly, and the entire stage becomes more relaxed, losing its rock feel. The song ends quietly, but soon a different, bluesy guitar phrase is played. The intro to "Crimson and Clover" plays, and Andy Allo sings "Waiting in Vain." Shelby also adds a chorus to reinforce the chorus. And because it's such a classic, the audience joins in, singing along in unison. Prince's powerful voice enters the mix, as if to say "Crimson and Clover" is also a good song. The audience responded with a sung-along rendition of Crimson and Clover. Then, howling guitars erupted, seemingly blowing away the previously quiet atmosphere. They launched into Little Red Corvette, a non-instrumental Amy Winehouse cover of Love Is a Losing Game sung by Andy, and a strange version of Nothing Compares 2 U with its unsteady guitar. And, finally, a storm of "Thank You" followed. The cuts were cool, and then Prince called Andy over for a twin cut, which was even cooler! The overall looseness of the performance was thrilling. Prince boasted, "Tonight's show is so funky," before saying, "Only God knows." The new song, "Only Heaven Knows," began with a downer version of "Thank You." Maceo and Candy Dulfer introduced me to funky music. "Come on, Maceo," he said, but Maceo wasn't there. Instead, Shelby added backing vocals to liven things up. Then comes a graceful piano and a Cassandra solo. Prince sings as if he's telling a story, instructing Shelby to sing the chorus. When Prince tells the audience they should go home, the audience immediately replies no. Prince chants "Only Heaven Knows," and the audience responds, evolving into something resembling a religious ritual. The concert seems to be drawing to a close with a "I'll be back tomorrow night, goodbye" sung. Then, keyboards begin to rustle and drums begin to play. Then, more overlapping keyboard sounds join in, as Shelby sings "Flash Light." Shelby gets the audience chanting, "Dara-la-ri-lalalalala," and the performance evolves into a jam. Prince's voice joins in, and the P-Funk, Bernie-esque keyboards are played by Cassandra, of course. Then, a destructive guitar reminiscent of Prince's Eddie Hazel enters, followed by a verse from Bill Withers' "Kissing My Love," with Prince joining in with a low voice. The total is just over 13 minutes. It's a fantastic ending. Bonus tracks are included, including the Flash Light soundboard recording from the following day at 10:48, allowing for comparison with the audience version.

Continuing on, the second day of Melkweg Night is also the same location as the day before, with the same recording artist providing the highest quality sound and a superb audience recording! Due to the sudden announcement, many fans who went the night before didn't expect to see the same performance tonight. As was the case the night before, Liv Warfield returned home due to a foot injury. It's a shame, but Shelby and Andy are doing their best. Starting off the day with another ultra-rare track, "What's My Name," from the album Crystal Ball! While the studio recording is a short piece lasting just over three minutes, this track is surprisingly developed into a more realistic version, which is quite striking. Prince plays the bass to create the groove, while Ida plays the basic line, creating a twin bass setup that's irresistible. Prince's murmuring vocals are funky, but the sudden shouts and the devastating fuzz bass create a suspenseful development that's sure to send shivers down your spine. A total of 10 minutes! And the rare numbers continue. It's been a while since we last played The Ballad of Dorothy Parker! The opening is a fantastic intro featuring a Stevie Wonder-esque keyboard riff, followed by a Bernie Worrell-esque keyboard riff, Ida's bass solo, and a mysterious ending featuring Venus De Milo's piano and mysterious sound effects. It's a truly after-show-esque, freaky performance, just under 11 minutes in total. And if you're listening to an after-show, it's this song, "Beautiful Strange"! Thunder rumbles, keyboards and melancholic guitars quietly echo, the vocals are quite distorted, and Prince shouts "Beautiful Strange" until you finally realize it's here. Otherwise, you'd think it was a new song. The guitar takes over the sound, and Mr. Hayes' keyboards also make an appearance, but the track develops progressively with a freaky solo. When the band quiets down, Cassandra takes on a flowing solo, then Prince and Andy join in, taking on a more mature atmosphere with vocals and finishing with a devastating guitar. Then there's guitar, and Prince, a rare addition to Kiss, plays guitar. The opening guitar is fresh and cool! Prince's "Let's groove" chant is also incredibly cool, with a wonderfully repeated phrase. Prince takes the vocals, but adds another cutting, creating a super funk version—a true after-show performance! Just when you think the song is over, it continues, with dynamic keyboards and a snappy cutting ensemble creating a superb jam! The audience sings along, and then a slightly unconventional keyboard section appears in the latter half of the song. And then, another amazing cutting phrase is revealed. Just as I was thinking I'd heard this before, the band came on and played The Time's "Chocolate"! The intro is long, and I was wondering if it was going to be an instrumental, when Prince began singing, imitating Morris Day. He stopped the band, saying, "Wait a minute, I have something to do," and the singing was interrupted. But then the performance resumed, and finally the singing began in earnest! Prince sings "Chocolate" in falsetto, and then he sings in Morris Day's voice afterward, making it sound exactly like the Prince version outtakes. Then there's a bass solo in unison with the vocals, likely taken over by Prince from Ida. Then the bass plays the "Chocolate" phrase, and Prince sings. There's a keyboard solo, but the backing is still playing "Chocolate," and the falsetto chorus of "Chocolate" continues, making this a fantastic live version. The track begins with just a popping synth drum and John's drums, followed by a funky cutting section, and then a thump, thump, thump bass drum. It's another rare track, Mutiny! A surprise, with a fantastic groove. The funky guitar and solid keyboard riffs, especially at the beginning, clearly demonstrate the conscious intent behind playing this song with the current NPG. Prince's guitar solo, cutting, and "I Know You Got Soul" riff are truly Prince-esque, funky, while the keyboards are deliberately recreated with a cheap tone reminiscent of the Parade tour. A completely new live version! A total of seven minutes of incredible performance! And then there's "When We're Dancing Close and Slow," from Prince's second album. While previously performed at the North Sea Jazz Festival, this after-show performance features a more powerful rendition, showcasing both Prince and Andy's incredible vocals. The piano sounds are textured and the performance is truly moving! Then, starting from a quiet atmosphere, "I Like It There" slowly begins, with guitar, then drums, and then bass coming in, and Prince finally starts playing guitar and plunges into the world of improvisation! The drums finish off with a bang and then the vocals come in, but Prince's guitar doesn't stop. Even when a cheap keyboard sound comes in, it doesn't turn into a Hayes solo, and Prince doesn't stop playing guitar, but at one point, as if he's run out of energy, the guitar sounds thud and end. But this time, Prince even gets the audience to chant "I like it there" while he plays a very fast, funky phrase. Then a mysterious keyboard sound comes in, and the band comes back again, finishing the song neatly.

However, the rock vibe continued with Bambi, where Prince's youthful falsetto sounded punkish. Just when you think he's playing from start to finish, he suddenly quietens down, singing, then playing guitar again, with subtle tempo changes that befit his mature style. Then, with the guitar still lingering, he moves into Colonized Mind. Prince's singing is a bit off-kilter, as this is an after-show performance. Then, there's another new song, Independence, sung by Prince for the first time. It feels like an improvisation, but the backing from Colonized Mind remains, and Prince shouts the lyrics while getting the audience to chant "Independence." The keyboards, in a Brocon manner, and Shelby's singing are outstanding! Shelby's skillful singing on this Gap Band song is impressive, but the groovy backing and chorus are also great! Andy and Ida are already great on their own, but it's nice to see Prince add a bit of vocals as well! After Cassandra's piano solo, the chorus and Shelby sing again, and Prince joins in with some scatting. Shelby responds with some scat, and this time Prince responds with a shout of "Aaah!" Prince then orders the lights to be turned off, and "Flash Light" is played again, just like the previous night. This version begins as part two of the previous night's performance. The soundboard recording on Andy Allo's Facebook page is missing the first minute or so, and starts halfway through, but this audience recording naturally includes the opening. Shelby sings, getting the crowd excited, and Prince shouts, even adding a baby-like shout. Andy adds "flash light" and the chorus. There's also a completely incomplete call-and-response, where Prince asks the audience, "What time is it?", and they respond with "flash light." The track also features lengthy, interesting keyboard riffs, reminiscent of Bernie Worrell's, and then go-go-like drumming. During the band introduction, Prince says, "Whatever I'm playing," and the track takes on a mysterious backing sound. Prince plays bass and sings a bit of "Take This Beat," a track he's been playing since the Lovesexy tour, before reprising "What's My Name." While the soundboard recording is cut from this point, the audience recording includes Prince playing "What's My Name" on bass. While singing, he adds a chopper, showcasing Prince's sharp bass playing in succession. When Prince calls for him, Shelby immediately responds with a soulful moan. Then, a rare performance follows, this time for "Strange Relationship"! After a lengthy intro, Prince reappears onstage, eliciting cheers and a thunderous cheer, before immediately singing. As the song progresses, Prince's singing gradually breaks down, calling in Cassandra for a keyboard solo, then calling in Shelby, who yells, "Make a Noise!" and adding a ragga-like rap. Prince then plays "America" twice over a fuzzed bass, building up a chaotic 9-minute performance unique to after-shows! Then comes "If I Was Your Girlfriend" and "Controversy," but unlike his usual after-show routine, Prince pauses and plays just his own cutting, then gradually slows down. When the band returns, it's a slower version of "Controversy." This is an unconventional version! He did the opposite, speeding things up on the 20Ten tour, but this time it's the other way around. Then, after "All the One" and the band stop, he plays cutting at a normal pitch, returning to the usual Controversy speed. Prince then sings "Sexy Dancer Vs Le Freak" and "I Know You Got Soul," leading to a cool buildup with guitar chops for "More Bounce To The Ounce." Prince then sings "Sexy Dancer, sexy dancer, work yo buddy, work yo buddy," leading the audience to chant along. Shelby also scats "work your body sexy dancer" to a different melody and features the piano solo from the studio version. There's also guitar chops like those in the extended version of "Sexy Dancer," and after six minutes, Shelby and Prince finally sing "Le Freak." The performance continues, and Prince yells, "This is the last song!" as they cut into "Play That Funky Music." The final climax, just over four minutes long, subtly cools the excitement and concludes gracefully. It's no exaggeration to call this the best live performance of 2011; it's such an incredible, incredibly rare aftershow!

These two iconic aftershows of 2011 come with a special DVDR. This is an astonishing compilation DVDR featuring footage from these two after-shows! While the first show is 29 minutes long and the second show is 61 minutes long, it's certainly not complete, but the fact that it was even captured in such a small venue is nothing short of miraculous! It starts with the first night at Calhoun Square, where Prince, adorable in a white knit cap, turns off the lights and pitches the entire room, offering to play all night if she wants. Then there's "We Live 2 Get Funky," where Prince plays funky guitar before rudely yelling at Shelby, "Rap!", prompting her to spit out a ragga rap. Then there's the discovery that he's playing a gold Stratocaster on "I Like It There." The delightful "Love Is A Losing Game" is also included in its entirety. Andy is so picturesque, you can even see Prince playing a white guitar during the guitar solo. Prince's final words, "Rest in peace, Amy," are also tear-jerking. The DVD also includes many other wonderful footage, including "Nothing Compares 2 U," where Prince borrows Andy's white Gretsch 6120 and plays with a completely different tone than usual, "Thank You," where Prince once again picks up his gold Strat and plays with unrestrained ease and ease, Prince and Andy walking across the stage like sluggish robots, and the audience singing along to "Flash Light." The Oslo performance was postponed, so the equipment that had been sent never returned, and the performance had to be hastily performed with different equipment, meaning Prince couldn't use his Mad Cat or his usual Strat. Despite this, the DVD still delivers a fantastic performance. The second day's footage is even more amazing, including a rare rendition of "What's My Name," Prince wearing sunglasses despite the gloomy weather and playing bass on "Warlock," Prince relaxing and singing "The Ballad of Dorothy Parker" in a loose, pajama-like outfit and sunglasses, and Prince playing "Mad Cat" and removing his sunglasses during "Beautiful Strange," likely due to the arrival of equipment from Oslo. He also plays a funky version of "Kiss," even giving the audience a thumbs-up while playing guitar. And then, in the highlight of the night, "Chocolate," Prince starts singing in a Morris Day-esque imitation, but then says, "Wait a minute, I have something to do," and stops the band, interrupting the song. Just when you think he's about to do something, he puts on his sunglasses, returns to his microphone, and the performance continues. Prince plays his guitar and sways his head, imitating Morris Day's dance moves. Without the footage, it's hard to understand why he stopped the band. "Mutiny" features Prince's flashy gestures as he moves around wildly with his guitar, and Andy performs a cameroon dance, holding both hands out to hide his face. Close-up shots of "When We're Dancing Close and Slow" are also included, and "I Like It There," "Bambi," and "Colonized Mind" are also included, though only partially, to capture the atmosphere. "Flash Light" features a dark, spacey, P-Funk-esque lighting effect. A close-up shot shows Prince spinning around and playing his bass guitar. "Strange Relationship" also features Prince holding his Warlock, occasionally chopping up as he sings, and a slower version of "Controversy" is also included. The final jam, including Prince and his band leaving, is also captured on this disc.

This is a fantastic audience recording of the main show in Rotterdam, which took place immediately after two fantastic one-off shows! It was an incredible live performance, and far from showing signs of fatigue, they were in high spirits. They opened with a solemn performance of this song, one no one expected! It's been a long time since the Gold tour! There's no PC keyboard tapping or NPG operator narration, but the song's merits are brought to the forefront. The piano phrases in the second half are elegant, a simpler yet more beautiful arrangement than the studio version or the Gold tour. Prince chants "na-na-na-na," the Linn drum's catchy rhythm plays, and the audience responds with "na-na-na-na-na," and before you know it, the mood is rocking! From there, the piano stays connected, and then Purple Rain plays! From there, it's a medley of Let's Go Crazy, and the performance is quite different! There's a duet with Andy on "Take Me With U," a fast-paced performance leading up to "Cool," and before you know it, the ladies are singing along to "Make You Feel My Love." Then, after a funky keyboard intro, Prince gives an MC, and then Let's Work plays, and the mood is instantly hyped! The bass solo in the second half, coupled with the percussion, is very funky. A little before that, a keyboard solo and Prince's interesting guitar phrases come in. And from here, it gets amazing. The bass takes on the Sexy Dancer phrase, but it doesn't become Sexy Dancer vs. Le Freak. Prince shouts "It's gonna be a beautiful night," and the "O-lio-oo-oh" call-and-response recreates the excitement of "It's Gonna Be a Beautiful Night." Sexy Dancer vs. It's Gonna Be a Beautiful Night, a completely new attempt. The bass then transitions into the Chocolate bassline, and a Maurice-esque "ho-ho-ho" voice joins in. The intro is long, but Prince actually plays and sings "Chocolate." The keyboard is more exaggerated than in Melkweg, and the arrangement is slightly different. It feels like the after-show was a rehearsal, and this is the real thing. The jazzy middle section

The guitar solo is perfectly accented, and the ensemble of cutting and keyboard solos is beautifully developed. It's a wonderful surprise that lasts just over five minutes, and this song hasn't been played since. The backing continues, and Prince, yelling "Oooh," adds guitar and launches into "U Got The Look!" Perhaps unable to forget the incredible gig that just preceded it, Prince again delivers a stunning cutting-based guitar solo. He plays the main show version of "Kiss." On "If I Was Your Girlfriend," he starts with a "hey-ho" chant, first sings normally, and then uses a hand speaker to agitate the second verse. Then, during Cassandra's piano solo in the second half, Prince sings "One Nation Under A Groove," a stunning moment. Shelby adds some scat to the mix, and Prince, with the drums still on, cuts into the song, transitioning into "Controversy," a slightly unconventional phrasing! Prince, who MCed through hand speakers to liven up the crowd, The Bird, and Jungle Love joined in the chant of Eye Like Funky Music, and then, as if to say, "That's enough," he abruptly ended the show with the key to "Las Vegas!" It was an incredibly tense live performance, where they gave it their all!

This special edition of this wonderful main show also comes with 63 minutes of live footage of the audience from multiple angles! Just like when Prince made his debut appearance at the beginning of the Gold Tour, confetti flew down, just like during his Japan tour. The yellow-based lighting and the back screen projections created a scene that depicted a snowstorm in a region experiencing heavy snowfall, with Prince waving his hands as if calling for help while singing. Prince's hair was parted 7:3 and slightly draped forward, and projected on the back screen. Purple Rain also features Prince in a black shirt and a mad cat look, and the adorable Andy playing guitar with a strange, shaved afro that reveals his ears. In "Take Me With U," Prince and Andy sing into separate microphones, creating a duet that suggests a domestic separation. Andy's shaved hair, with its tiger-like pattern, is also visible. "Raspberry Beret" shows Andy drawing a picture wearing a raspberry beret. "Make You Feel My Love" features a shot of a dignified lady without a rib. "If I Was Your Girlfriend" features excellent screenshots, occasionally interspersed with long shots, but the editing is superb, with multiple angles and a professional-quality shot, making it a delight. Prince is also captured singing through a hand-held speaker. "The Bird" also features excellent editing, incorporating screenshots, and includes a scene of Prince singing in a three-quarter sleeve shirt. During "Jungle Love," Andy hands his guitar to a roadie and blends in with the dancing crowd on stage, banging on a tambourine. You can see a large kiss mark on a drawing Andy made. Meanwhile, Prince seems to be enjoying himself, but when a woman approaches him and starts dancing, the camera captures her timidly retreating, seemingly instructed by Prince not to get in the way. Finally, he hands over a Mad Cat to a dancing crowd, who then drapes it over himself in a gratifying gesture. This special DVDR is brimming with visual appeal that can't be conveyed through sound alone.

The guitar solo is perfectly accented, and the ensemble of cutting and keyboard solos is beautifully developed. It's a wonderful surprise that lasts just over five minutes, and this song hasn't been played since. The backing continues, and Prince, yelling "Oooh," adds guitar and launches into "U Got The Look!" Perhaps unable to forget the incredible gig that just preceded it, Prince again delivers a stunning cutting-based guitar solo. He plays the main show version of "Kiss." On "If I Was Your Girlfriend," he starts with a "hey-ho" chant, first sings normally, and then uses a hand speaker to agitate the second verse. Then, during Cassandra's piano solo in the second half, Prince sings "One Nation Under A Groove," a stunning moment. Shelby adds some scat to the mix, and Prince, with the drums still on, cuts into the song, transitioning into "Controversy," a slightly unconventional phrasing! Prince, who MCed through hand speakers to liven up the crowd, The Bird, and Jungle Love joined in the chant of Eye Like Funky Music, and then, as if to say, "That's enough," he abruptly ended the show with the key to "Las Vegas!" It was an incredibly tense live performance, where they gave it their all!

This special edition of this wonderful main show also comes with 63 minutes of live footage of the audience from multiple angles! Just like when Prince made his debut appearance at the beginning of the Gold Tour, confetti flew down, just like during his Japan tour. The yellow-based lighting and the back screen projections created a scene that depicted a snowstorm in a region experiencing heavy snowfall, with Prince waving his hands as if calling for help while singing. Prince's hair was parted 7:3 and slightly draped forward, and projected on the back screen. Purple Rain also features Prince in a black shirt and a mad cat look, and the adorable Andy playing guitar with a strange, shaved afro that reveals his ears. In "Take Me With U," Prince and Andy sing into separate microphones, creating a duet that suggests a domestic separation. Andy's shaved hair, with its tiger-like pattern, is also visible. "Raspberry Beret" shows Andy drawing a picture wearing a raspberry beret. "Make You Feel My Love" features a shot of a dignified lady without a rib. "If I Was Your Girlfriend" features excellent screenshots, occasionally interspersed with long shots, but the editing is superb, with multiple angles and a professional-quality shot, making it a delight. Prince is also captured singing through a hand-held speaker. "The Bird" also features excellent editing, incorporating screenshots, and includes a scene of Prince singing in a three-quarter sleeve shirt. During "Jungle Love," Andy hands his guitar to a roadie and blends in with the dancing crowd on stage, banging on a tambourine. You can see a large kiss mark on a drawing Andy made. Meanwhile, Prince seems to be enjoying himself, but when a woman approaches him and starts dancing, the camera captures her timidly retreating, seemingly instructed by Prince not to get in the way. Finally, he hands over a Mad Cat to a dancing crowd, who then drapes it over himself in a gratifying gesture. This special DVDR is brimming with visual appeal that can't be conveyed through sound alone.